Fat Pigeon Chicago, Illinois
Our music is a mixture of group composition and improvisation. We bring our respective backgrounds in classical, punk, metal, traditional Mexican music, jazz and free improvisation to our work as a group.
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supported by 6 fans who also own “Page of Tin”
Composition in spite of traditionalism. A sonic abrasion and proof that contemporary classical music is interesting, engaging and intoxicating.
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EarthSeed
by Nicole Mitchell & Lisa E. Harris
supported by 5 fans who also own “Page of Tin”
Beautiful music for our challenging times. Unique voices like Mitchell and Harris provide what little hope is possible. I love how, in their unique way, they incorporate, along with so much else, the spirit of Sun Ra, one of my primary musical heros. And it’s interesting that I used to argue that there were places that the shakuhachi (Japanese bamboo flute) could go that the western flute couldn’t. But after hearing Nicole Mitchell’s work on this recording I’m a little less confident abo
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supported by 5 fans who also own “Page of Tin”
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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RETURN
by GVSU New Music Ensemble
"Electronic chamber music" from this lauded ensemble, with the musicians "sampling" the notation for a stunning, innovative sound.
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supported by 5 fans who also own “Page of Tin”
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